Diplomacy: Golden Globes

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The Golden Globe Awards: The American Television and Entertainment Industries' Most High Profile Continue to Underscore the Coalition's Tenacious Resolve to Democratize

and Demilitarize Canada and Contain China’s Unlawful Global Ambitions

Barrister & Solicitor

When the most powerful executives, producers, directors and actors in the United States assemble for another awards broadcast* one can expect much time and effort to be expended to script a show that sends more proof just how committed the partnership is to contain China’s unlawful ambitions and fix institutionally dysfunctionalities in Canada that advance them. For the third year in a row the Golden Globes was a platform to deliver that message to those who still think they can not only hold out against a non-transparent global movement that’s been galvanized against them since 2007 but also when Stage Two of the reform and accountability undertaking matures into a very public, very demonizing initiative.

* Previous geo-ed award shows: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23

The Golden Globe Awards and Academy Awards are two annual opportunities for the biggest and wealthiest movers and shakers in the movie and TV industries to state their case about how they envision the 21st century world. This was documented in early 2009: The Golden Globe Awards: The American Television and Entertainment Industries' Most High Profile Collectively Underscore the Coalition's Tenacious Resolve to Democratize and Demilitarize Canada and this in early 2010: The Golden Globes: America’s Entertainment Movers & Shakers Get Diplomatically Coercive Over Discovering Dogville’s Hosting the Evil-ympics.

Not more than a couple minutes went by before the stage was geo-politicized. Host Rickie Gervais began with a Blair Maneuver to set the tone of the event and then cracked a series of jokes and everyone in the East-West audience, both at the venue and at home, knew what he was saying with this:

Hugh Hefner[‘s] … getting married to 24 year old beauty [X]. When she was asked why she was marrying him she said because he lied about his age. He told me [Springsteen M.] he was 94.

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The Springsteen “Times Up” M. was red flagged with a Taylor Identifier and immediately corroborated by when the director cued the camera on Alec Baldwin to capture him executing a protracted Pacino M..

When Christian Bale took the stage he effected a very embellished lexiconic gesture to service the Custodian’s international persona:

What a bunch of characters at that table right there. [X was] just [O-S M.] fantastic.

Jennifer Lopez and Alec Baldwin took the stage to present an award and the backdrop used contains a combination coalition identifier and prison certainty pattern to remind the almost criminally insane what their fate is:

Canada’s most recent superstar musician, Justin Beiber, presented the Best Animated Feature Film award and producers chose two films in a row to (i) deliver the same condemnation first articulated by late night comedy host David Letterman – the sneezing monkey (1, 2) and describe the Chinada malfeasant as so infantile they have to be educated like children: DreamWork’s ‘How to Train Your Dragon’: The Need to Teach Chinada Children to be Grown Ups, the Isolation-Deprivation Theme and Coalition Confidentiality.

The first included a clip from the recent geo-ed film ‘Despicable Me’ in which the main character, attired in prison certainty, effects a lexiconic gesture timed to a coalition-identifying third set of items in a list of demands:

Three, you will not cry, or laugh, or giggle, or [O-S. M] sneeze…

Then comes the clip from the Spielberg-Katzenberg film which was titled to draw attention to the difference in intellect and sophistication between the coalition’s partners and the Chinada malfeasant at every level of and at the top of the chain of command. The clip used was because it contains an assurance that despite previous shortcomings and inadequacies the coalition’s now ready to challenge the Chinada threat more aggressively: “Yea, yea, I’m on it”.

Sylvester Stallone takes the stage to present and effects a Terminator M. to the scripted description of a movie that’s nominated and which bears directly on those who govern Canada’s public and private sectors and the almost insurmountable obstacles the Custodian faced addressing his country’s systemic corruption, criminality and human rights abuses:

Dealing with a very dysfunctional family and his own personal conflicts, [X] had the nearly impossible challenge of becoming light and welterweight champion of the world.

Al Pacino’s win for playing “Dr. Death” Jack Kevorkian provided an opportunity to engage in coercive diplomacy and at the same time service the Custodian's international persona:

It’s a great honor for me to have played such an extraordinary – portrayed such an extraordinary person as [Branson M.] Jack Kevorkian; you know [Stewart M.] sort of navigate through his life was so much fun and interesting.

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Just after the second gesture the camera’s pointed at Robert De Niro, who upon appreciating the threatening nature of his colleague’s communiqué effects a Clooney Maneuver to amplify it:

Steven Spielberg and Tom Hanks, two long-term

coalition partners, watching the diplomacy

* For more on this lexiconic gesture see the recent supplemental A Clooney Maneuver Retrospective

When Aaron Sorkin wins for Best Screenplay for his Facebook movie ‘The Social Network’ there was no doubt he’d take advantage of the opportunity to fire yet another salvo at those who took direct aim at the earliest genesis of back-channel diplomacy in January 2004. He wrote the script for what’s documented in The Lexicon in Action: The West Wing that explicitly high profiled mind control experimentation. Then after the show was cancelled in May 2006 he loaded his weapon for dozens of episodes of Studio 60 on the Sunset Strip. When that ended he reloaded once again and fired at the malfeasant with ‘Charlie Wilson’s War’: Geo-Politicized to Defend Against and Draw Parallels With the Coalition-Chinada War. His extraordinary work in evolving the lexicon garnered the first Uber-Achievement Geo Award in 2008. His communiqué falls into the category of child protection:

I want to thank all the female nominees tonight for helping to demonstrate to my young daughter that ‘elite’ is not a bad word. It’s an aspirational one. Honey, look around [R-S M.] smart girls have more fund and you’re one of them.

* For more on this lexiconic gesture See the recent supplemental 2010 Retrospective on Coercive Diplomacy Employing Powell, Richie-Santelli and Execution Maneuvers

Matt Damon presents Robert DeNiro with the most prestigious honor of the night: the Cecil B. DeMille Award. When Steven Spielberg took the stage during the first Golden Globes to become a coalition event in 2009 he generated eleven communiqués.*

* YouTube link in the original supplemental no longer works. To access his heavily geo-politicized acceptance speech click here to View video

Before the living legend delivers his acceptance speech a montage of his films is broadcast. Producers very selectively chose a coalition identifying three to start from an extensive library of hits to deliver several communiqués. The first is from ‘Godfather II’, seeking to highlight the coalition’s “gangster government” designation for Canada’s public and complicit private sectors (1, 2, 3, 4; and RCC treatment: 1, 2).

Following that is a clip from 1983’s ‘The King of Comedy’, chosen because of the triple use of the number 6 to engage in Satanic condemnation:

Don’t ask me to do six weeks. I can’t take over the show for six weeks. I can’t even take over my own life for six weeks. You’re asking me to do something that’s important. [to someone off-screen] What!?

Next is from the 1977 ‘New York, New York’. He’s sitting at a table in a nightclub getting an adverse reaction from a woman who he’s seeking to date. The dialogue is relevant to what the coalition’s demanded of those in high political and corporate office about vacating their positions or being forced out and held to full account for their egregiously unlawful conduct:

Him: I can take a hint.

Her: Can you take a walk?

Him: Do you want me to leave? I’ll leave right now.

Her: Bye.

The montage concludes with a reminder where the almost insane are headed:

The section of his prepared acceptance speech that was written specially for the Chinada High Command threatens what the Reform Coalition of Canada said would happen upon regime change in America’s northern neighbor:

And the important thing is that we are all in this together – the filmmakers who make the movies and the Hollywood Foreign Press Association members who in turn pose for pictures with the movie stars. [audience laughter] [CBS M.x2] I’m sorry more members of the Foreign Press aren’t with us tonight, but many of them were deported right before the show, along with most of the waiters.

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Item #8 of the RCC’s Draft Political Platform states:

Emigrants from China who were granted landed immigrant status or Canadian citizenship will be presumed to not have entered Canada legally; a tribunal will be empowered to re-evaluate each case and a reverse onus burden of proof will apply;

Aaron Sorkin’s director David Fincher takes the stage and he and the producer engage in a back-and-forth gesture-athon.

[Cl.M.] When Scott and Amy [Colbert M.] first called me about Aaron’s amazing [Cl.M.] script, I though this [Colbert M.] was so strange ‘cause I normally make these pitch black studies [Colbert M.] about misanthropes or the occasional movie about serial killers.

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Not only is Aaron effecting a protracted Erin M., but also immediately behind him an attendee is employing the ‘gun to the temple’ Richie-Santelli M.:

Alicia Keys takes the stage to preview one of the five films nominated in the Best category and executes a Powell M.*:

* For more on this lexiconic gesture See the recent supplemental 2010 Retrospective on Coercive Diplomacy Employing Powell, Richie-Santelli and Execution Maneuvers

Paul Giamatti most astonishingly beat out Johnny Depp and the beyond-extraordinary ‘Alice in Wonderland’. Paul became relevant to coalition, Reform Coalition and A7AI objectives when his HBO miniseries ‘John Adams’ was rented on DVD. An hour a day of the seven-hour program was watched with great interest because of the historical parallels the colonists faced with the British and Canadians face with the Chinese. This e-mail was sent to an RCC invitee:

I joked to [a friend] early this week I had enrolled in a course: 'Early American History 101'. I paused to let her ponder this development. I then added “...at the University of Rogers Video”. I rented the critically acclaimed mini-series 'John Adams' - the seven-part production that comprehensively recounts the 18th century genesis of the United States. The attention to detail on all levels is extraordinary. There's some measure of relevance to what I've been working on: seeking to expel a foreign government and occupying military from Canadian soil and create a democracy out of the ashes of imperialistic domination.

And the script is chalk full from beginning to end of stimulating content giving me the opportunity to employ that which I obtained from my BA in political philosophy.

After being handed the award by Halle Berry Paul’s acceptance speech begins with Satanic condemnation – a coalition-identifying three references to Christ. He adds another coalition identifier and juxtaposes it with a compensation ratifier when joking about how many free chocolates he ingested. Then another coalition identifier is used to add another entry in to isolation-deprivation (romance, love, family) category of diplomacy.

Jesus Christ, Halle Berry. [Eva M.] [audience laughter] Jesus Christ, Jesus Christ, Halle Berry.

I’m a little jacked up ‘cause I age five boxes of the free Godiva chocolates. [audience laughter] I just saw Godiva chocolates. I’ve never seen [Eva M.] so many Godiva chocolates. [audience laughter]

[…]

Great producer [X] [Eva M.]. Amazing actors to work with. […] I had three wives in this movie [Powell M., Colbert M.] Yea, three wives. […] A trifecta of hotties. [audience laughter]

After also servicing the Custodian’s international persona Paul ends with more diplomatic content that’s swiftly taken advantage of by producers. When he mentions the Canadian city his movie was filmed in by name the camera’s instructed to pan in on Nicole Kidman to draw attention to her spring 2004 ‘Dogville’, which constitutes another warning that serious consequences follow a failure to capitulate to what international law demands:

And an incredible crew, every single one of the, up in an incredible, beautiful city, Montreal, which I dream about. An incredible place in a great nation [cut to Nicole; attendee: Erin M.] – Canada; and I salute the great nation of Canada and thank you to the Hollywood Foreign Press.

When the nominations for the Best Female Actor are read out the malfeasant were so angered by how Nicole was high profiled given that her 2004 film was a conduit through which the earliest members of the coalition threatened to militarily execute the Chinada High Command and which was employed literally thousands of times over the years to remind its membership of their fate it didn’t stand down its unlawfulness, they engaged in trademark psycho-pubescence and cut the television feed for a few seconds.

Like at all the previous award shows, the red carpet is a time when the lexicon and the communiqués its use generates is paraded in front of the cameras for the benefit of members of the democracy, rule of law, human rights and free market community who are watching from home and in-your-face remind the malfeasant what they’re up against and what they did is going to cost them everything when the reform and accountability undertaking crystallizes into meaningful repercussions.